Styles: animation techniques (next batch)

Styles 22 to 33 come from classic animation techniques. Each one is a way of moving through a page, not a skin.

Shipped: flipbook, pop-up-book, pinscreen, sand, zoetrope. Dropped: rotoscope (styles 22 to 27)

Style	Technique	What moving through the page does
pinscreen	Alexeieff and Parker's pinscreen (1933)	A wall of pins whose shadows form the image; scroll pushes the pins into the next picture, the pointer presses them
sand	Sand animation (Caroline Leaf)	One continuous sand picture; your swipe or scroll brushes it into the next scene
zoetrope	Zoetrope, praxinoscope	A spinning drum; the faster you scroll, the more it comes alive, slow down and it breaks into frames
flipbook	Flipbook	You thumb the corner and the page flips through drawn frames
pop-up-book	Pop-up book	Each section is a spread; open it and the scene folds up out of the page
rotoscope	Rotoscoping (A Scanner Darkly, "Take On Me")	Film and images traced live into ink; real motion with a hand-drawn line

To do (styles 28 to 33)

• stop-motion (shipped): everything moves on twos with a slight jitter (paper, felt, real objects nudged per frame).
• paper-cut-out (shipped): flat paper layers on hinged joints, Monty Python and Lotte Reiniger silhouettes.
• paint-on-glass (shipped): one living painting that morphs scene to scene with visible brushstrokes (Petrov, Loving Vincent).
• multiplane (shipped): Disney's multiplane camera, painted glass layers with real depth and focus pulls between them.
• scratch-film (shipped): drawn and scratched straight onto film stock (McLaren, Len Lye), jittery, colourful, synced to sound.
• smears (shipped): Spider-Verse timing, on twos, smear frames, comic textures and mixed media.

Parked

Saul Bass titles, ink wash (sumi-e), whiteboard doodle.