Paint the Mona Lisa with us, one layer at a time.
Scroll, and watch the most famous portrait in the world come together the way it was actually made: proportion, line, value, underpainting, then colour.
Scroll, and watch the most famous portrait in the world come together the way it was actually made: proportion, line, value, underpainting, then colour.
Before a single line, find the big shapes. A vertical axis, the head as an oval, the whole figure inside a triangle.
Now draw what you see, not what you know. Start where the viewer will look first, the face, then the hands, then everything else.
Squint until the detail disappears and only light and dark remain. Build the shadows in layers, following the form like a hand following a cheek.
Masters laid in the whole picture in one earth colour first. It settles every value before colour can confuse them.
Thin, transparent glazes, dozens of them, each one barely there. Colour doesn't cover the drawing, it tints it.
We teach the way Renaissance workshops did: proportion before line, line before value, value before paint. You'll copy the masters, then leave them behind.
Proportion, contour and value, from cast drawing to the live model.
Umber underpainting, glazing and sfumato, in oil on panel.
Sketchbook sessions in front of the originals, with a tutor beside you.
You can have no dominion greater or less than that over yourself.Leonardo da Vinci, notebooks